Davinci Resolve: Zero to HERO

£897.00 + VAT

This is a bespoke course, please contact us for dates

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Description

WHAT YOU WILL LEARN

Learn the color correction and grading using Divinci Resolve. This hands on training course will teach you the key tools & the colour correction & grading process.

Learn the rules and process of Colour Correction, how to read scopes and use them to analyse and fix shots. How to use qualifiers and masks to do secondary correction and build grades. How to track elements in a shot, and how to colour correct over a sequence. And how to save and apply grades over a sequence.

We look at grading techniques that focus on preserving the quality of the original colour data of the footage – this will be accomplished through carefully constructed node workflows and correctly set up RAW projects. Grading styles and looks will be designed using a variety of advanced grading palettes in Resolve, together with the Resolve FX panel and group-based workflows. The session will end on developing a good understanding of delivery formats and workflows. This course is an ideal follow up to Color Grading in DaVinci Resolve 14 or Editing in DaVinci Resolve 14 but it is open to any colorist with hands-on experience.

WHO IS THIS COURSE FOR?

A person who wishes to work in the video field or who currently works in the field, looking to learn advanced node pipelines, animation techniques and RAW file format theory and workflows. Some students may be mainly interested in creating video primarily for the Web, and others for film, but the majority are preparing more for work in broadcast video.

ASSUMED KNOWLEDGE

Before taking this course, you should have a basic understanding of your computers operating system. For example, you should know how to launch an application, create and save files, and copy files from CD and other media.

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    Day 1

    Interface:
    ● Project Manager
    ● Pages
    ● Project Settings
    Importing:
    ● Storage Library to Media Pool
    ● Scene Cut Detection
    Media Management:
    ● Organisation and Smart Bins
    ● Relinking
    ● Flagging and Marking
    Basic Editing Controls
    CC Theory
    ● Understanding Primaries and Log
    ● Colour Grade Workflow
    Primary Grading:
    ● Normalisation/Auto Balance
    ● Shot Matching
    ● Reading Scopes
    Grading palettes:
    ● Curves
    ● Colour Wheels
    Stills:
    ● Using the Viewer
    ● Clip Comparison
    ● Gallery

    Day 2

    XML Timelines:
    ● Offline Reference Movies
    ● Conforming
    Resolve Colour Management
    Secondary Grading:
    ● Qualifier
    ● Power Windows
    ● Motion Tracking:
    ● Stabilisation
    ● Match Move

    Day 3

    HSL Curves
    Groups workflows
    Node Editor:
    ● Parallel and Layer Mixer Nodes
    ● Splitter Combiner Nodes
    ● Compound Nodes
    Nodes Keys:
    ● Outside Nodes
    ● Key Palette
    ● Key Mixer
    ● External Nodes
    Copying Nodes
    Green Screen Compositing

    Day 4

    Versions:
    ● Local
    ● Remote
    ● Master Timelines
    Additional Color Page Palettes:
    ● Sizing Palette
    ● Blanking and Resolutions
    ● Data Burn-In
    Keyframe Editor:
    ● Dynamic/Static keyframes
    ● Rotoscoping
    RAW Setup:
    ● Camera RAW in Project Settings
    ● Difference between Rec.709, Log and RAW
    ● 4K Workflow
    Colour Match
    LUTs
    B&W Grading

    Day 5

    Copying Timeline Grades with ColorTrace
    Noise Reduction
    ● Temporal
    ● Spatial
    ● Motion Blur tool
    Effects in the Color Page
    Deliver Page:
    ● Understanding compression methods
    ● Common codecs
    Dailies Workflow:
    ● Master Timeline
    ● Deliver Page
    Roundtripping:
    ● Premiere Pro
    ● DPX for VFX workflows (from AE to Resolve)
    Archiving/Restoring Projects

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