Adobe Premiere Pro Training Courses
-
Premiere Pro Jumpstart - Zero to Premiere Hero
1
- Level: Fast Track to Advanced
- Duration: 5 Days
- Time: 10 AM - 5 PM
- Cost: £997 ex VAT
-
Premiere Pro 101: Rookie
1
- Level: Introduction
- Duration: 2 Days
- Time: 10 AM - 5 PM
- Cost: £497 ex VAT
-
Premiere Pro 201: HotShot
2
- Level: Advanced
- Duration: 3 Days
- Time: 10 AM - 5 PM
- Cost: £697 ex VAT
-
Adobe Production Creative License
3
- Level: Fast track to Advanced
- Duration: 10 Days
- Time: 10 AM - 5 PM
- Cost: £1497 ex VAT
-
Creative Suite for Production
1
- Level: Fast Track - Introduction
- Duration: 5 Days
- Time: 10 AM - 5 PM
- Cost: £997 ex VAT
Adobe Premiere Pro is a widely-used video and multimedia editing and post production software, highly recommended by the industry experts in film-making and broadcasting. At Academy Class you can learn how to use Adobe Premiere Pro to produce videos that have a professional look.
Learn about the features of Adobe Premiere Pro with Academy Class’ training course, including e-review, color correction tools, usage of HDV format, and multi-cam workflows. This course will help students master the art of editing, interface design and DVD authoring. It will also teach you to edit video clips, create digital movies for professional quality output, assemble video, audio, and still images.
With Academy Class’ Adobe Premiere Pro training courses you can apply your visual skills and get a command over video editing. You will learn video production techniques including combining video, audio, and image-stills, timelines, assembling video clips, controlling sequences and enhancing them with transitions such as wipes and fades, introducing title sequences, fading and combining multiple audio tracks, and outputting to different formats for high, medium and lower quality requirements.
In Adobe Premiere Pro training courses you will be learning how to do project management, image processing filters, motion control, compositing and superimposing, precision audio editing, compression and optimization of video, and dynamic integration with other Adobe applications. Students will also be trained to use features of transparency, Alpha and Luma keying, Chroma keying, image adjustment and distort filters, split edits, audio mixer, etc.
The Adobe Premiere Pro training courses at Academy Class provide high quality training to students and they get to learn from our expert, Adobe-certified instructors. These courses are guaranteed to give you a strong grip over this powerful post production software.
Academy Class offers you Adobe Premiere Pro training courses in multiple cities: London, Glasgow, Manchester, Cardiff, Newcastle and Birmingham. Our instructors are chosen on the basis on their capability to deliver industry-related expertise and a wealth of knowledge to give you a rich experience in Adobe Premiere Pro.
Furthermore, if after attending the Adobe Premiere Pro training course with Academy Class you do not get a chance to use the software or forget something then you are more than welcome to come back and retake the class free of charge. That is the Academy Class’ guarantee of learning.
All our classes at Academy Class begin at 10 in the morning and continue till 5 in the evening. Enroll now in one of the best Premiere Pro, Adobe-authorized training courses!
Premiere Pro Jumpstart - Zero to Premiere Hero
- OVERVIEW
- DESCRIPTION
- OUTLINE
- WHAT YOU GET
- ENQUIRE
- 0800 043 8889
What you will learn
• Navigating inside Premiere
• Understanding the tools
• Organising projects
• Creating and refining rough cuts
• Multipoint editing
• Transitions
• Working with audio
• Creating titles and credits
• Video effects
• Basic colour correction
• Outputting video
• Colour Correction
• Advanced Effects
• Compositing
• Keying
• Advanced Audio
• Multicam Projects
• Adobe Media Encoder
• Encore
• Integration with Photoshop and After Effects
• Dynamic Link
- Level: Fast Track to Advanced 1
- Time: 10 AM - 5 PM
- Duration: 5 Days
- Cost: £997 ex VAT
Choose the date you would like to book:
If no dates appear then please call 0800 043 8889 for more date information
Adobe Premiere Pro is a powerful program for editing digital video. Premiere lets you create videos, as well as perform colour correction and work with audio. Students attending this course will learn the fundamentals of non-linear editing techniques. You will also go on to learn more advanced features of the software.
This course helps you understand and work with advanced concepts and features of Adobe Premiere Pro. You will run through a typical series of steps for creating, editing and fine-tuning a series of video pieces. We also recommend this course for those planning to obtain the Adobe Certified Associate status.
Don’t just learn Premiere– get recognised for the knowledge you’ve learned.
Get Certified and become an Adobe Certified Associate (ACA)
Whatever your career path, proven Adobe software expertise will keep you ahead of the curve and help you develop a solid competitive advantage in today’s complex marketplace.
Adobe certifications are a reliable validation of your skills and knowledge, and can lead to accelerated professional development, improved productivity, and enhanced credibility in your field.
Students who need to know the basics right through to the advanced features of Adobe Premiere Pro and countless tips and techniques to help them become more productive with its new features. This course is for individuals who wish to learn how to edit videos to be used on a number of different platforms, including web and DVD. Amateurs with an interest in video editing will also benefit from attending this course.
No previous video editing knowledge/experience is required to complete this course. However, basic computer skills are necessary
• Navigating inside Premiere
• Understanding the tools
• Organising projects
• Creating and refining rough cuts
• Multipoint editing
• Transitions
• Working with audio
• Creating titles and credits
• Video effects
• Basic colour correction
• Outputting video
• Colour Correction
• Advanced Effects
• Compositing
• Keying
• Advanced Audio
• Multicam Projects
• Adobe Media Encoder
• Encore
• Integration with Photoshop and After Effects
• Dynamic Link
Touring Adobe Premiere Pro CS5/CS5
- Nonlinear editing in Adobe Premiere Pro CS5
- Presenting the standard digital video work&ow
- Enhancing the work&ow with high-level features
- Touring the Adobe Premiere Pro workspace
- workspace layout
- Customizing the workspace
Selecting Settings, Adjusting Preferences, and Managing Assets
- Selecting project se!ings by sequence
- types of se!ings
- Specifying project se!ings
- Sequence se!ings
- Adjusting user preferences
- Importing assets
- Managing media in bins
- Exploring additional bin features
- Having multiple bins open at once
- Finding assets
- Finding assets with the Media Browser
Creating Cuts-Only Videos
- Using a storyboard to build a rough cut
- Arranging your storyboard
- Automating your storyboard to a sequence
- Editing clips on the Timeline
- Trimming a clip
- Using the Ripple Edit tool
- Moving clips to, from, and within the Timeline
- Using the current-time indicator to establish the edit point
- Adding clips to the timeline with the Source Monitor
- Enhanced extract function (CS5.5 Update)
- Working with Source Monitor editing tools
- New insert/overwrite edit graphic overlay
- Adjusting clips in the Trim panel
- Using other editing tools
- An Introduction to Audio
- Use current sequence
- Adjust volume
- Add keyframes
- Add an audio transition
Applying Specialized Editing Tools
- Exploring timesaving editing tools
- Making rolling, slide, and slip edits
- Using the Program Monitor’s Li# and Extract bu!ons
- Replacing a clip and replacing footage
- Using the Replace Clip feature
- Using the Replace Footage feature
- Using Sync Lock and Track Lock
- Using the Sync Lock
- Using Track Lock
- Finding gaps in the timeline
- Editing with In and Out points around a clip
- Creating subclips from the Source Monitor
- Unlink multiple selected clips
- Merging Clips for Dual-System Sound Support
Adding Video Transitions
- Using transitions with restraint
- Please supplement with real-world examples and avoid those in the book
- Adding whimsy
- Adding visual interest
- Trying some transitions
- Sequence display changes
- Changing parameters in the Effect Controls panel
- Using A/B mode to $ne-tune a transition
- Working with the Effect Control panel’s A/B feature
- Dealing with inadequate (or no) head or tail handles
- Applying transitions to multiple clips at once
- Adding audio transitions
Putting Clips in Motion
- Applying the Motion effect to clips
- Examining motion se!ings
- Add key frames to clip on timeline using pen tool
- Changing clip size and adding rotation
- Adding rotation and changing the anchor point
- Working with keyframe interpolation
- Creating a picture-in-picture effect
- Enhancing motion with shadows and beveled edges
- Adding a drop shadow
- Using other motion-related effects: Transform and Basic 3D
- Transform
- Basic 3D
Adding Video Effects
- Sampling some basic video effects
- Applying effects to multiple clips
- Adding keyframing effects
- Adding keyframe interpolation and velocity
- Adding lighting effects
- Creating custom presets
- Using nested sequences
- Multiple uses for nested sequences
- Nesting a video in a newspaper
- Nesting clips
- New supported effects for accelerated playback )
- Dynamic Link Overview
- Send a clip to After Effects from the Adobe Premiere Pro timeline
- Applying the Warp Stabilizer effect
- Return the clip via Dynamic Link
Changing Time
- Using slow-motion and reverse-motion techniques
- Speeding up a clip
- Changing speed with the rate stretch tool
- Enabling variable time changes with time remapping
- Applying time remapping with speed transitions
- Using time remapping with reverse motion
- Recognizing the downstream effects of changing time
- Changing the speed of multiple clips simultaneously
- Changing the length of multiple stills simultaneously
Acquiring and Editing Audio
- Se!ing up a basic voice-recording area
- Creating a high-quality aural experience
- Examining audio characteristics
- Adjusting audio volume
- Adjusting audio in the Effect Controls panel
- Adjusting audio gain
- Adding J-cuts and L-cuts
- Adding an L-cut
Sweetening Your Sound and Mixing Audio
- Sweetening sound with audio effects
- Trying stereo sound effects
- Looking one more VST plug-in
- Editing keyframes by using the clip effects menu
- Working with the Audio Mixer
- Automating changes in audio tracks
- Outpu!ing tracks to submixes
- Recording voice-overs
- Send Premiere Pro sequence to Audition
Creating Dynamic Titles
- Changing text parameters
- Building text from scratch
- Pu!ing text on a path
- Creating shapes
- Aligning shapes
- Making text roll and crawl
- Adding text effects: sheens, strokes, shadows,
Exploring Compositing Techniques
- Making compositing part of your projects
- Shooting video with compositing in mind
- Teach impact of codec and camera chip size on keying
- Discuss concept of using a laptop on-set and doing test keys direct from camera’s memory card
- Working with the Opacity effect
- Combine layers based on a blend mode
- Show footage mixed with blending modes
- Lightening a dark shot
- Creating a $lm-look
- Luma-key video inside text
- Working with alpha-channel transparencies
- Use new project $les
- Color keying a green-screen shot with Ultra Key
- Using the Ultra Key effect
- Use the new CS 5.5 Keying demo
- Address Garbage Ma!e feature
- Use Track Ma!e to blur an area
Analyzing Content
- Transcribing speech to text
- Enhancing the accuracy of speech analyses
- Searching transcription for keywords
- Se!ing In and Out points using speech analysis text
- Modifying the metadata
- New Adobe Story Integration
Working with Color
- Show the Color Correction Workspace
- Address use of Workspaces
- Using Video Scopes
- Reference Monitor
- YC Waveform
- Vectorscope
- Levels
- An overview of color-oriented effects
- Coloring effects
- Color removal or replacement
- Color correction
- Discuss 8 bit vs. 32-bit effects
- Adjusting and enhancing color
- Auto Color, Auto Contrast and Auto Levels
- Levels
- “e Fast Color Corrector effect
- Primary Color Corrections
- Exposure Problems
- Fixing Color Casts
Importing and Capturing Media
- Using a tapeless work&ow
- Using the Media Browser
- Cover formats
- Importing P2 media
- Importing XDCAM media
- Importing AVCHD media
- Importing DSLR
- Importing RED media CS5.5
- Import image sequence into a single video
- Mixing media formats
- Capturing HDV and DV video
- Adapt as needed
- Discussion of "third-party capture cards
Exporting Frames, Clips, and Sequences
- Overview of export options
- Checking out export options
- Recording to tape
- Exporting single frames
- Exporting a single frame via the Export Frames function
- Using the Export Se!ings dialog
- Working with Adobe Media Encoder
- Enhancements to Adobe Media Encoder and Work&ow
- Format overview
- Using formats
- Exporting to mobile devices
- Exporting to Other NLEs
- Final Cut Pro (XML)
- Avid (AAF)
- Collaboration in CS Review
- Closed caption support
Managing Your Projects
- Project menu overview
- Making a clip offline
- Using the Project Manager
- Working with a trimmed project
- Collecting $les and copying them to a new location
- Final project management steps
- Importing projects or sequences
- Importing Projects from FCP
- Importing Projects from Avid
The Adobe Workflow
- Meet Adobe Premiere Pro
- Interface Philosophy
- Interface Tour
- Using Workspaces
- Creative Suite Production Premium
- Adobe A#er Effects
- Adobe Photoshop Extended
- Adobe Illustrator
- Adobe Audition
- Adobe Encore
- Adobe Bridge
- Adobe Media Encoder
- Other Tools (Adobe Story)
- Editing Work&ow
- Native Editing Work&ow
- Transcoded Work&ow
- Captured Work&ow
Configuring Your Nonlinear Editor
- Notable Preferences
- Brightness
- Play Audio While Scrubbing
- Audio Output Mapping
- Media Cache Files
- Memory Allocation
- Still Image Default
- Default Scale to Frame Size
- Trim
- Player Se!ings
- Keyboard Shortcuts
- Default Se!ings
- Using the Final Cut Pro and Avid keyboard defaults
- Customizing Shortcuts
- Use the Default Keyboard Shortcuts for Class
- Mercury Playback Engine performance
- Real-time work&ow
Essential Editing Skills
- Using the Source Monitor
- Loading a Clip
- Loading Multiple Clips
- Source and Program Monitor Controls
- Playback Resolution
- Pause Resolution
- Viewing Fields
- Change Magni$cation
- Changing Frames in the Program or Source Monitor
- Navigating the Timeline
- Opening a Sequence in a Timeline Panel
- Targeting Tracks
- In and Out Points
- Using Markers
- Clip Markers
- Numbered Marker
- Interactive Markers
- Essential Editing Commands
- Overwrite Editing
Setting Up a Project
- New Project Panel
- Video/Audio Display Format
- Capture Format Se!ings
- Video Rendering and Playback
- Project Files
- Scratch Disks
- Creating a Sequence
- Choosing the Correct Preset
- “e Makeup of Sequence Presets
- “ird-party sequence presets
- “e selection process
- Creating Custom Sequence Se!ings
- Se!ings (General) Tab
- Se!ing Initial Tracks
- Se!ing Sequence Start Time
- Modifying an Existing Project’s Se!ings
- General Tab
- Scratch Disks
Organizing Media
- Understanding the Project Panel
- Searching for Clips
- Filter View
- Find Command
- Working with Bins
- Creating Bins
- Opening Bins
- Recommended Standard Bins
- Customizing Bins and Clip Views
- Changing Views
- Viewing "umbnails
- Assigning Label Color
- Creating Subclips
- When to Subclip
- “e Logic of Subclips
- Ge!ing Organized with Metadata
- Saving Schema
- Using the Metadata Panel
- Organizing Clips with Content Analysis
- Speech Analysis
- Improving accuracy with a transcript
- Improving accuracy with a script
Additional Editing Skills
- Four-Point Editing
- Editing choices with Four-point edits
- Making a four-point edit
- Retiming Clips
- Changing the Speed/Duration of a Clip
- Changing Speed and Duration with the Rate Stretch tool
- Changing Speed and Duration with Time Remapping
- Removing the Time Remapping effect
- Replacing Clips
- Replacement Techniques
- Making a Replace Edit
- Replacing footage in a project
- Time-saving Editing Techniques
- Storyboard Editing
- Editing with Markers
- Nested Sequences
- Why create a nested sequence
- Limitations of nested sequence
- Create a nest from a selection of clips
- Find Gaps in Sequences and Tracks
Timeline Operations
- Selecting Clips
- Selecting a Clip
- Selecting a Range of Clips
- Selecting All the Clips on a Track
- Selecting Non-contiguous Clips
- Selecting Audio or Video Only
- Spli!ing a Clip
- Linking & Unlinking Clips
- Moving Clips
- Dragging Clips
- Rearranging Clips in a Sequence
- Using the Clipboard
- Copying
- Cu!ing
- Extracting and Deleting Segments
- Extract
- Delete & Ripple Delete
- Deleting gaps in a track
- Deleting all clips on a track
- Deleting a track
- Disabling a Clip
- Adding Transitions
- Edit Points and Handles
- Applying Video Transitions
- Applying Audio Transitions
- Creating a crossfade
- Using the Apply Audio Transition command
The Power is in the Trim
- Basic Trimming
- Trim in Source Monitor
- Basic Trim on a Sequence
- Trim with the Current-time Indicator
- Rippling Edits
- Using the Ripple Edit Tool
- Rolling Edits
- Using the Roll Edit Tool
- Roll an Edit Using the Keyboard
- Slipping Edits
- Slipping an Edit in the Source Monitor
- Using the Slip Tool
- Slipping Using Keyboard Shortcuts
- Sliding Edits
- Using the Slide Tool
- Sliding Using Keyboard Shortcuts
- Using the Trim Monitor
- Overview of the Trim Monitor
- Performing Ripple Edits in the Trim Monitor
- Performing Roll Edits in the Trim Monitor
- Making Split Edits
- Maintaining Sync
- Linking and Unlinking Audio and Video
- Moving and Slipping Clips into Sync
Audio Mixing and Repair
- Seting Up the Interface to Work with Audio
- “e Audio Workspace
- Master Track Output
- Monitoring Audio Levels with the Audio Mixer
- Adjusting Audio Levels on a Sequence
- Showing Audio Waveforms
- Adjusting Overall Clip Levels
- Keyframing Volume Changes
- Smoothing Volume Between Keyframes
- Track vs. Clip Keyframes
- Using the Audio Mixer
- Overview of the Audio Mixer
- Understanding Automation Modes
- Submixes and Bussing
- Using Audio Effects
- Two Ways of Adding Audio Effects
- Clip-based effects
- Track-based effects
- Using Audio Effects to Repair Audio
- Using Audio Effects to Adjust Dynamics and Equalization
- Sending Audio from Adobe Premiere Pro to Audition
- Noise Reduction
- Amplitude Reduction
- Ge!ing Audio Back to Adobe Premiere Pro
Color Correction
- Using Video Scopes
- Accessing Scopes and the Color Correction Workspace
- Scope Essentials
- YC Waveform
- Vectorscope
- More About the Reference Monitor
- Ge!ing to Know Adobe Premiere Pro’s Color and Exposure Effects
- Primary Color Corrections
- Exposure Problems
- Fixing underexposed footage
- Fixing overexposed footage
- Fixing Color Casts
- Before $xing a color cast
- Fixing contrast $rst
- Tackling color
- Secondary Color Corrections
- Using A#er Effects and Photoshop to Correct
Essential Effects
- Role of Effects
- Effects in Adobe Premiere Pro
- Fixed Effects
- Effects browser
- Using effects presets
- Saving effect presets
- Removing effects
- Applying Effects in A#er Effects
- Dynamic Link revisited
- Browsing A#er Effects animation presets
- Applying effects and animation presets
- Saving A#er Effects presets
- Removing effects
- Understanding Keyframes
- Adding Keyframes
- Keyframe Interpolation
- Selected Effects
- Image Stabilization & Rolling Shu!er Reduction
- Timecode Burn-in
- Vector Keying in Adobe Premiere Pro
- Enhanced Depth of Field (with the Roto Brush)
Creating Titles
- Video Typography Essentials
- Benefits of reading include be$er understanding of best use of tools and options
- * Using Adobe Premiere Pro’s Titler
- Creating and Editing Titles
- Entering Text
- Forma!ing Text
- Stylizing a Title
- Creating a Template
- * Advanced Titling with Photoshop
- Creating a Photoshop Document
- Photoshop Text Essentials
- Creating an Alpha Channel
- Layer Styles
- * Animated Titles with Adobe A#er Effects
- Se!ing Text
- Browsing Presets
- Retiming Animations
Acquiring & Managing Media
- Importing Files into Adobe Premiere Pro
- Standard Importing
- Using the Media Browser
- Adobe Bridge
- Adding metadata with Adobe Bridge (p.61)
- Rating clips in Adobe Bridge
- Viewing metadata from Adobe Bridge
- Tape-based Work&ows
- Capturing from Tape
- Tapeless Work&ows
- Mounting the Card
- Creating a Clone and a Copy
- Spanned Clips
- Supported File Types
- Footage Files
- Graphics Files
- Audio Files
- Modifying Clips
- Adjusting Audio Channels
- Interpreting Footage
- Assigning a frame rate
- Interpreting pixel aspect ratio
- Field order
- Alpha channels
- Modifying Timecode
- An Introduction to Dynamic Link
- Linking to and from Adobe A#er Effects
- Linking to and from Adobe Encore
- Linking to and from Adobe Audition
- Adobe Media Encoder
- Creating Special Clips (synthetics)
- Bars & Tone
- Black Video
- Color Ma!e
- Transparent Video
- Practical Media Management
- Removing Unused Media
- Using the Project Manager
- Creating a trimmed project
- Collecting a project
Publishing Your Video
- Customize Topics To Class Needs
- Exporting a Master Copy
- Matching Sequence Se!ings
- Choosing Another Codec
- Outpu!ing to Tape
- Preparing a Project for Tape Output
- Preparing a Tape
- Exporting to Tape
- Meet Adobe Media Encoder
- Accessing Adobe Media Encoder from Adobe Premiere Pro
- Overview of the Export Se!ings Dialog
- Source and Output panels
- Export Se!ings
- Filters export se!ings
- Multiplexer export se!ings
- Video export se!ings
- Audio export se!ings
- FTP se!ings
- Additional Options
- More About Metadata
- Exporting Files
- Creating Flash Content
- Choosing Between FLV and F4V
- Using FLV and F4V Presets
- Creating H.264 Content for Devices and Web Delivery
- Using H.264 Presets for Devices
- Using H.264 Presets for General Web Delivery
- Publishing to DVD and Blu-ray
- Using MPEG-2 Presets for DVD
- Choosing Between MPEG-2 and H.264 for Blu-ray
- Using an H.264 Preset for Blu-ray
Close Out
- How to take an Adobe Certi$cation Exam
- ACA Exam
- ACE Exam
So you wish to know more? Simply enter your details - and we'll contact you back.
Here’s what you get on an Academy Class
Course Materials
We typically supply detailed course notes or a reference text, or in some cases both. Either way, we try to provide sufficient supporting material so that you can return to your work place with sufficient confidence to permit further learning.
We like to look after our customers with:
Luncheon Vouchers are provided so you can get lunch of your choice from one of the many local Cafes. We also provide Chilled water, posh coffee & Tea, biscuits and sweets, sugar and spice and all things nice!
90 DAY Support
There is nothing worse than leaving a course and feeling left on your own. We like to ensure our customers have all the support and backup they need which includes 90 days unlimited support by phone or email, and a free re-sit of the course you attended within 6 months.
You also get
A certificate of completion.
Premiere Pro 101: Rookie
- OVERVIEW
- DESCRIPTION
- OUTLINE
- WHAT YOU GET
- ENQUIRE
- 0800 043 8889
The Workspace in Premiere Pro
Sequencing and Basic Real-Time Editing
Transitions
Fundamentals of Multipoint Editing
Integrating Adobe After Effects
Titles and Credits
Audio
Output
- Level: Introduction 1
- Time: 10 AM - 5 PM
- Duration: 2 Days
- Cost: £497 ex VAT
Choose the date you would like to book:
If no dates appear then please call 0800 043 8889 for more date information
Adobe Premiere Pro is a powerful program for editing digital video. Premiere lets you create videos, as well as perform colour correction and work with audio. Students attending this course will learn the fundamentals of non-linear editing techniques.
Students who need to know the basics of Adobe Premiere Pro and countless tips and techniques to help them become more productive with its new features. This course is for individuals who wish to learn how to edit videos to be used on a number of different platforms, including web and DVD. Amateurs with an interest in video editing will also benefit from attending this course.
No previous video editing knowledge/experience is required to complete this course. However, basic computer skills are necessary.
Module 1: Touring Adobe Premiere Pro CS5/CS5
Module 2: Selecting Settings, Adjusting Preferences, and Managing Assets
Module 3: Creating Cuts-Only Videos
Module 4: Applying Specialized Editing Tools
Module 5: Adding Video Transitions
Module 6: Putting Clips in Motion
Module 7: Adding Video Effects
Module 8: Changing Time
Module 9: Acquiring and Editing Audio
Module 10: Sweetening Your Sound and Mixing Audio
Module 11: Creating Dynamic Titles
Module 12: Exploring Compositing Techniques
Module 13: Analyzing Content
Module 14: Working with Color
Module 15: Importing and Capturing Media
Module 16: Exporting Frames, Clips, and Sequences
Module 17: Managing Your Projects
Touring Adobe Premiere Pro CS5/CS5
- Nonlinear editing in Adobe Premiere Pro CS5
- Presenting the standard digital video work&ow
- Enhancing the work&ow with high-level features
- Touring the Adobe Premiere Pro workspace
- workspace layout
- Customizing the workspace
Selecting Settings, Adjusting Preferences, and Managing Assets
- Selecting project se!ings by sequence
- types of se!ings
- Specifying project se!ings
- Sequence se!ings
- Adjusting user preferences
- Importing assets
- Managing media in bins
- Exploring additional bin features
- Having multiple bins open at once
- Finding assets
- Finding assets with the Media Browser
Creating Cuts-Only Videos
- Using a storyboard to build a rough cut
- Arranging your storyboard
- Automating your storyboard to a sequence
- Editing clips on the Timeline
- Trimming a clip
- Using the Ripple Edit tool
- Moving clips to, from, and within the Timeline
- Using the current-time indicator to establish the edit point
- Adding clips to the timeline with the Source Monitor
- Enhanced extract function (CS5.5 Update)
- Working with Source Monitor editing tools
- New insert/overwrite edit graphic overlay
- Adjusting clips in the Trim panel
- Using other editing tools
- An Introduction to Audio
- Use current sequence
- Adjust volume
- Add keyframes
- Add an audio transition
Applying Specialized Editing Tools
- Exploring timesaving editing tools
- Making rolling, slide, and slip edits
- Using the Program Monitor’s Li# and Extract bu!ons
- Replacing a clip and replacing footage
- Using the Replace Clip feature
- Using the Replace Footage feature
- Using Sync Lock and Track Lock
- Using the Sync Lock
- Using Track Lock
- Finding gaps in the timeline
- Editing with In and Out points around a clip
- Creating subclips from the Source Monitor
- Unlink multiple selected clips
- Merging Clips for Dual-System Sound Support
Adding Video Transitions
- Using transitions with restraint
- Please supplement with real-world examples and avoid those in the book
- Adding whimsy
- Adding visual interest
- Trying some transitions
- Sequence display changes
- Changing parameters in the Effect Controls panel
- Using A/B mode to $ne-tune a transition
- Working with the Effect Control panel’s A/B feature
- Dealing with inadequate (or no) head or tail handles
- Applying transitions to multiple clips at once
- Adding audio transitions
Putting Clips in Motion
- Applying the Motion effect to clips
- Examining motion se!ings
- Add key frames to clip on timeline using pen tool
- Changing clip size and adding rotation
- Adding rotation and changing the anchor point
- Working with keyframe interpolation
- Creating a picture-in-picture effect
- Enhancing motion with shadows and beveled edges
- Adding a drop shadow
- Using other motion-related effects: Transform and Basic 3D
- Transform
- Basic 3D
Adding Video Effects
- Sampling some basic video effects
- Applying effects to multiple clips
- Adding keyframing effects
- Adding keyframe interpolation and velocity
- Adding lighting effects
- Creating custom presets
- Using nested sequences
- Multiple uses for nested sequences
- Nesting a video in a newspaper
- Nesting clips
- New supported effects for accelerated playback )
- Dynamic Link Overview
- Send a clip to After Effects from the Adobe Premiere Pro timeline
- Applying the Warp Stabilizer effect
- Return the clip via Dynamic Link
Changing Time
- Using slow-motion and reverse-motion techniques
- Speeding up a clip
- Changing speed with the rate stretch tool
- Enabling variable time changes with time remapping
- Applying time remapping with speed transitions
- Using time remapping with reverse motion
- Recognizing the downstream effects of changing time
- Changing the speed of multiple clips simultaneously
- Changing the length of multiple stills simultaneously
Acquiring and Editing Audio
- Se!ing up a basic voice-recording area
- Creating a high-quality aural experience
- Examining audio characteristics
- Adjusting audio volume
- Adjusting audio in the Effect Controls panel
- Adjusting audio gain
- Adding J-cuts and L-cuts
- Adding an L-cut
Sweetening Your Sound and Mixing Audio
- Sweetening sound with audio effects
- Trying stereo sound effects
- Looking one more VST plug-in
- Editing keyframes by using the clip effects menu
- Working with the Audio Mixer
- Automating changes in audio tracks
- Outpu!ing tracks to submixes
- Recording voice-overs
- Send Premiere Pro sequence to Audition
Creating Dynamic Titles
- Changing text parameters
- Building text from scratch
- Pu!ing text on a path
- Creating shapes
- Aligning shapes
- Making text roll and crawl
- Adding text effects: sheens, strokes, shadows,
Exploring Compositing Techniques
- Making compositing part of your projects
- Shooting video with compositing in mind
- Teach impact of codec and camera chip size on keying
- Discuss concept of using a laptop on-set and doing test keys direct from camera’s memory card
- Working with the Opacity effect
- Combine layers based on a blend mode
- Show footage mixed with blending modes
- Lightening a dark shot
- Creating a $lm-look
- Luma-key video inside text
- Working with alpha-channel transparencies
- Use new project $les
- Color keying a green-screen shot with Ultra Key
- Using the Ultra Key effect
- Use the new CS 5.5 Keying demo
- Address Garbage Ma!e feature
- Use Track Ma!e to blur an area
Analyzing Content
- Transcribing speech to text
- Enhancing the accuracy of speech analyses
- Searching transcription for keywords
- Se!ing In and Out points using speech analysis text
- Modifying the metadata
- New Adobe Story Integration
Working with Color
- Show the Color Correction Workspace
- Address use of Workspaces
- Using Video Scopes
- Reference Monitor
- YC Waveform
- Vectorscope
- Levels
- An overview of color-oriented effects
- Coloring effects
- Color removal or replacement
- Color correction
- Discuss 8 bit vs. 32-bit effects
- Adjusting and enhancing color
- Auto Color, Auto Contrast and Auto Levels
- Levels
- “e Fast Color Corrector effect
- Primary Color Corrections
- Exposure Problems
- Fixing Color Casts
Importing and Capturing Media
- Using a tapeless work&ow
- Using the Media Browser
- Cover formats
- Importing P2 media
- Importing XDCAM media
- Importing AVCHD media
- Importing DSLR
- Importing RED media CS5.5
- Import image sequence into a single video
- Mixing media formats
- Capturing HDV and DV video
- Adapt as needed
- Discussion of "third-party capture cards
Exporting Frames, Clips, and Sequences
- Overview of export options
- Checking out export options
- Recording to tape
- Exporting single frames
- Exporting a single frame via the Export Frames function
- Using the Export Se!ings dialog
- Working with Adobe Media Encoder
- Enhancements to Adobe Media Encoder and Work&ow
- Format overview
- Using formats
- Exporting to mobile devices
- Exporting to Other NLEs
- Final Cut Pro (XML)
- Avid (AAF)
- Collaboration in CS Review
- Closed caption support
Managing Your Projects
- Project menu overview
- Making a clip offline
- Using the Project Manager
- Working with a trimmed project
- Collecting $les and copying them to a new location
- Final project management steps
- Importing projects or sequences
- Importing Projects from FCP
- Importing Projects from Avid
The Adobe Workflow
- Meet Adobe Premiere Pro
- Interface Philosophy
- Interface Tour
- Using Workspaces
- Creative Suite Production Premium
- Adobe A#er Effects
- Adobe Photoshop Extended
- Adobe Illustrator
- Adobe Audition
- Adobe Encore
- Adobe Bridge
- Adobe Media Encoder
- Other Tools (Adobe Story)
- Editing Work&ow
- Native Editing Work&ow
- Transcoded Work&ow
- Captured Work&ow
Configuring Your Nonlinear Editor
- Notable Preferences
- Brightness
- Play Audio While Scrubbing
- Audio Output Mapping
- Media Cache Files
- Memory Allocation
- Still Image Default
- Default Scale to Frame Size
- Trim
- Player Se!ings
- Keyboard Shortcuts
- Default Se!ings
- Using the Final Cut Pro and Avid keyboard defaults
- Customizing Shortcuts
- Use the Default Keyboard Shortcuts for Class
- Mercury Playback Engine performance
- Real-time work&ow
Essential Editing Skills
- Using the Source Monitor
- Loading a Clip
- Loading Multiple Clips
- Source and Program Monitor Controls
- Playback Resolution
- Pause Resolution
- Viewing Fields
- Change Magni$cation
- Changing Frames in the Program or Source Monitor
- Navigating the Timeline
- Opening a Sequence in a Timeline Panel
- Targeting Tracks
- In and Out Points
- Using Markers
- Clip Markers
- Numbered Marker
- Interactive Markers
- Essential Editing Commands
- Overwrite Editing
Setting Up a Project
- New Project Panel
- Video/Audio Display Format
- Capture Format Se!ings
- Video Rendering and Playback
- Project Files
- Scratch Disks
- Creating a Sequence
- Choosing the Correct Preset
- “e Makeup of Sequence Presets
- “ird-party sequence presets
- “e selection process
- Creating Custom Sequence Se!ings
- Se!ings (General) Tab
- Se!ing Initial Tracks
- Se!ing Sequence Start Time
- Modifying an Existing Project’s Se!ings
- General Tab
- Scratch Disks
Organizing Media
- Understanding the Project Panel
- Searching for Clips
- Filter View
- Find Command
- Working with Bins
- Creating Bins
- Opening Bins
- Recommended Standard Bins
- Customizing Bins and Clip Views
- Changing Views
- Viewing "umbnails
- Assigning Label Color
- Creating Subclips
- When to Subclip
- “e Logic of Subclips
- Ge!ing Organized with Metadata
- Saving Schema
- Using the Metadata Panel
- Organizing Clips with Content Analysis
- Speech Analysis
- Improving accuracy with a transcript
- Improving accuracy with a script
Additional Editing Skills
- Four-Point Editing
- Editing choices with Four-point edits
- Making a four-point edit
- Retiming Clips
- Changing the Speed/Duration of a Clip
- Changing Speed and Duration with the Rate Stretch tool
- Changing Speed and Duration with Time Remapping
- Removing the Time Remapping effect
- Replacing Clips
- Replacement Techniques
- Making a Replace Edit
- Replacing footage in a project
- Time-saving Editing Techniques
- Storyboard Editing
- Editing with Markers
- Nested Sequences
- Why create a nested sequence
- Limitations of nested sequence
- Create a nest from a selection of clips
- Find Gaps in Sequences and Tracks
Timeline Operations
- Selecting Clips
- Selecting a Clip
- Selecting a Range of Clips
- Selecting All the Clips on a Track
- Selecting Non-contiguous Clips
- Selecting Audio or Video Only
- Spli!ing a Clip
- Linking & Unlinking Clips
- Moving Clips
- Dragging Clips
- Rearranging Clips in a Sequence
- Using the Clipboard
- Copying
- Cu!ing
- Extracting and Deleting Segments
- Extract
- Delete & Ripple Delete
- Deleting gaps in a track
- Deleting all clips on a track
- Deleting a track
- Disabling a Clip
- Adding Transitions
- Edit Points and Handles
- Applying Video Transitions
- Applying Audio Transitions
- Creating a crossfade
- Using the Apply Audio Transition command
The Power is in the Trim
- Basic Trimming
- Trim in Source Monitor
- Basic Trim on a Sequence
- Trim with the Current-time Indicator
- Rippling Edits
- Using the Ripple Edit Tool
- Rolling Edits
- Using the Roll Edit Tool
- Roll an Edit Using the Keyboard
- Slipping Edits
- Slipping an Edit in the Source Monitor
- Using the Slip Tool
- Slipping Using Keyboard Shortcuts
- Sliding Edits
- Using the Slide Tool
- Sliding Using Keyboard Shortcuts
- Using the Trim Monitor
- Overview of the Trim Monitor
- Performing Ripple Edits in the Trim Monitor
- Performing Roll Edits in the Trim Monitor
- Making Split Edits
- Maintaining Sync
- Linking and Unlinking Audio and Video
- Moving and Slipping Clips into Sync
Audio Mixing and Repair
- Seting Up the Interface to Work with Audio
- “e Audio Workspace
- Master Track Output
- Monitoring Audio Levels with the Audio Mixer
- Adjusting Audio Levels on a Sequence
- Showing Audio Waveforms
- Adjusting Overall Clip Levels
- Keyframing Volume Changes
- Smoothing Volume Between Keyframes
- Track vs. Clip Keyframes
- Using the Audio Mixer
- Overview of the Audio Mixer
- Understanding Automation Modes
- Submixes and Bussing
- Using Audio Effects
- Two Ways of Adding Audio Effects
- Clip-based effects
- Track-based effects
- Using Audio Effects to Repair Audio
- Using Audio Effects to Adjust Dynamics and Equalization
- Sending Audio from Adobe Premiere Pro to Audition
- Noise Reduction
- Amplitude Reduction
- Ge!ing Audio Back to Adobe Premiere Pro
Color Correction
- Using Video Scopes
- Accessing Scopes and the Color Correction Workspace
- Scope Essentials
- YC Waveform
- Vectorscope
- More About the Reference Monitor
- Ge!ing to Know Adobe Premiere Pro’s Color and Exposure Effects
- Primary Color Corrections
- Exposure Problems
- Fixing underexposed footage
- Fixing overexposed footage
- Fixing Color Casts
- Before $xing a color cast
- Fixing contrast $rst
- Tackling color
- Secondary Color Corrections
- Using A#er Effects and Photoshop to Correct
Essential Effects
- Role of Effects
- Effects in Adobe Premiere Pro
- Fixed Effects
- Effects browser
- Using effects presets
- Saving effect presets
- Removing effects
- Applying Effects in A#er Effects
- Dynamic Link revisited
- Browsing A#er Effects animation presets
- Applying effects and animation presets
- Saving A#er Effects presets
- Removing effects
- Understanding Keyframes
- Adding Keyframes
- Keyframe Interpolation
- Selected Effects
- Image Stabilization & Rolling Shu!er Reduction
- Timecode Burn-in
- Vector Keying in Adobe Premiere Pro
- Enhanced Depth of Field (with the Roto Brush)
Creating Titles
- Video Typography Essentials
- Benefits of reading include be$er understanding of best use of tools and options
- * Using Adobe Premiere Pro’s Titler
- Creating and Editing Titles
- Entering Text
- Forma!ing Text
- Stylizing a Title
- Creating a Template
- * Advanced Titling with Photoshop
- Creating a Photoshop Document
- Photoshop Text Essentials
- Creating an Alpha Channel
- Layer Styles
- * Animated Titles with Adobe A#er Effects
- Se!ing Text
- Browsing Presets
- Retiming Animations
Acquiring & Managing Media
- Importing Files into Adobe Premiere Pro
- Standard Importing
- Using the Media Browser
- Adobe Bridge
- Adding metadata with Adobe Bridge (p.61)
- Rating clips in Adobe Bridge
- Viewing metadata from Adobe Bridge
- Tape-based Work&ows
- Capturing from Tape
- Tapeless Work&ows
- Mounting the Card
- Creating a Clone and a Copy
- Spanned Clips
- Supported File Types
- Footage Files
- Graphics Files
- Audio Files
- Modifying Clips
- Adjusting Audio Channels
- Interpreting Footage
- Assigning a frame rate
- Interpreting pixel aspect ratio
- Field order
- Alpha channels
- Modifying Timecode
- An Introduction to Dynamic Link
- Linking to and from Adobe A#er Effects
- Linking to and from Adobe Encore
- Linking to and from Adobe Audition
- Adobe Media Encoder
- Creating Special Clips (synthetics)
- Bars & Tone
- Black Video
- Color Ma!e
- Transparent Video
- Practical Media Management
- Removing Unused Media
- Using the Project Manager
- Creating a trimmed project
- Collecting a project
Publishing Your Video
- Customize Topics To Class Needs
- Exporting a Master Copy
- Matching Sequence Se!ings
- Choosing Another Codec
- Outpu!ing to Tape
- Preparing a Project for Tape Output
- Preparing a Tape
- Exporting to Tape
- Meet Adobe Media Encoder
- Accessing Adobe Media Encoder from Adobe Premiere Pro
- Overview of the Export Se!ings Dialog
- Source and Output panels
- Export Se!ings
- Filters export se!ings
- Multiplexer export se!ings
- Video export se!ings
- Audio export se!ings
- FTP se!ings
- Additional Options
- More About Metadata
- Exporting Files
- Creating Flash Content
- Choosing Between FLV and F4V
- Using FLV and F4V Presets
- Creating H.264 Content for Devices and Web Delivery
- Using H.264 Presets for Devices
- Using H.264 Presets for General Web Delivery
- Publishing to DVD and Blu-ray
- Using MPEG-2 Presets for DVD
- Choosing Between MPEG-2 and H.264 for Blu-ray
- Using an H.264 Preset for Blu-ray
Close Out
- How to take an Adobe Certification Exam
- ACA Exam
- ACE Exam
So you wish to know more? Simply enter your details - and we'll contact you back.
Premiere Pro 201: HotShot
- OVERVIEW
- DESCRIPTION
- OUTLINE
- WHAT YOU GET
- ENQUIRE
- 0800 043 8889
What you will learn?
• Colour Correction
• Advanced Effects
• Compositing
• Keying
• Advanced Audio
• Multicam Projects
• Adobe Media Encoder
• Encore
• Integration with Photoshop and After Effects
• Dynamic Link
- Level: Advanced 2
- Time: 10 AM - 5 PM
- Duration: 3 Days
- Cost: £697 ex VAT
Choose the date you would like to book:
If no dates appear then please call 0800 043 8889 for more date information
Adobe Premiere Pro is a powerful program for editing digital video. Premiere helps you create dynamic video or film. This course helps you understand and work with advanced concepts and features of Adobe Premiere. You will run through a typical series of steps for creating, editing and fine-tuning a series of video pieces.
You will be prepared for and take the Adobe Certified Associate (ACA) exam at the end of this course.
Get recognised for the new skills you’ve just gained: Get Certified!
Graphic professionals who need an extensive understanding of motion graphics editing. Experienced users will also benefit from the many tips and tricks and special exercises.
You must have attended the Premier Pro 101: Rookie class or have equivalent knowledge
Module 1: The Adobe Workflow
Module 2: Configuring Your Nonlinear Editor
Module 3: Essential Editing Skills
Module 4: Setting Up a Project
Module 5: Organizing Media
Module 6: Additional Editing Skills
Module 7: Timeline Operations
Module 8: The Power is in the Trim
Module 9: Audio Mixing and Repair
Module 10: Color Correction
Module 11: Essential Effects
Module 12: Creating Titles
Module 13: Acquiring & Managing Media
Module 14: Publishing Your Video
The Adobe Workflow 30 mins
- Meet Adobe Premiere Pro
- Interface Philosophy
- Interface Tour
- Using Workspaces
- Creative Suite Production Premium
- Adobe A#er Effects
- Adobe Photoshop Extended
- Adobe Illustrator
- Adobe Audition
- Adobe Encore
- Adobe Bridge
- Adobe Media Encoder
- Other Tools (Adobe Story)
- Editing Work&ow
- Native Editing Work&ow
- Transcoded Work&ow
- Captured Work&ow
Configuring Your Nonlinear Editor
- Notable Preferences
- Brightness
- Play Audio While Scrubbing
- Audio Output Mapping
- Media Cache Files
- Memory Allocation
- Still Image Default
- Default Scale to Frame Size
- Trim
- Player Se!ings
- Keyboard Shortcuts
- Default Se!ings
- Using the Final Cut Pro and Avid keyboard defaults
- Customizing Shortcuts
- Use the Default Keyboard Shortcuts for Class
- Mercury Playback Engine performance
- Real-time work&ow
Essential Editing Skills
- Using the Source Monitor
- Loading a Clip
- Loading Multiple Clips
- Source and Program Monitor Controls
- Playback Resolution
- Pause Resolution
- Viewing Fields
- Change Magni$cation
- Changing Frames in the Program or Source Monitor
- Navigating the Timeline
- Opening a Sequence in a Timeline Panel
- Targeting Tracks
- In and Out Points
- Using Markers
- Clip Markers
- Numbered Marker
- Interactive Markers
- Essential Editing Commands
- Overwrite Editing
Setting Up a Project
- New Project Panel
- Video/Audio Display Format
- Capture Format Se!ings
- Video Rendering and Playback
- Project Files
- Scratch Disks
- Creating a Sequence
- Choosing the Correct Preset
- “e Makeup of Sequence Presets
- “ird-party sequence presets
- “e selection process
- Creating Custom Sequence Se!ings
- Se!ings (General) Tab
- Se!ing Initial Tracks
- Se!ing Sequence Start Time
- Modifying an Existing Project’s Se!ings
- General Tab
- Scratch Disks
Organizing Media
- Understanding the Project Panel
- Searching for Clips
- Filter View
- Find Command
- Working with Bins
- Creating Bins
- Opening Bins
- Recommended Standard Bins
- Customizing Bins and Clip Views
- Changing Views
- Viewing "umbnails
- Assigning Label Color
- Creating Subclips
- When to Subclip
- “e Logic of Subclips
- Ge!ing Organized with Metadata
- Saving Schema
- Using the Metadata Panel
- Organizing Clips with Content Analysis
- Speech Analysis
- Improving accuracy with a transcript
- Improving accuracy with a script
Additional Editing Skills
- Four-Point Editing
- Editing choices with Four-point edits
- Making a four-point edit
- Retiming Clips
- Changing the Speed/Duration of a Clip
- Changing Speed and Duration with the Rate Stretch tool
- Changing Speed and Duration with Time Remapping
- Removing the Time Remapping effect
- Replacing Clips
- Replacement Techniques
- Making a Replace Edit
- Replacing footage in a project
- Time-saving Editing Techniques
- Storyboard Editing
- Editing with Markers
- Nested Sequences
- Why create a nested sequence
- Limitations of nested sequence
- Create a nest from a selection of clips
- Find Gaps in Sequences and Tracks
Timeline Operations
- Selecting Clips
- Selecting a Clip
- Selecting a Range of Clips
- Selecting All the Clips on a Track
- Selecting Non-contiguous Clips
- Selecting Audio or Video Only
- Spli!ing a Clip
- Linking & Unlinking Clips
- Moving Clips
- Dragging Clips
- Rearranging Clips in a Sequence
- Using the Clipboard
- Copying
- Cu!ing
- Extracting and Deleting Segments
- Extract
- Delete & Ripple Delete
- Deleting gaps in a track
- Deleting all clips on a track
- Deleting a track
- Disabling a Clip
- Adding Transitions
- Edit Points and Handles
- Applying Video Transitions
- Applying Audio Transitions
- Creating a crossfade
- Using the Apply Audio Transition command
The Power is in the Trim
- Basic Trimming
- Trim in Source Monitor
- Basic Trim on a Sequence
- Trim with the Current-time Indicator
- Rippling Edits
- Using the Ripple Edit Tool
- Rolling Edits
- Using the Roll Edit Tool
- Roll an Edit Using the Keyboard
- Slipping Edits
- Slipping an Edit in the Source Monitor
- Using the Slip Tool
- Slipping Using Keyboard Shortcuts
- Sliding Edits
- Using the Slide Tool
- Sliding Using Keyboard Shortcuts
- Using the Trim Monitor
- Overview of the Trim Monitor
- Performing Ripple Edits in the Trim Monitor
- Performing Roll Edits in the Trim Monitor
- Making Split Edits
- Maintaining Sync
- Linking and Unlinking Audio and Video
- Moving and Slipping Clips into Sync
Audio Mixing and Repair
- Seting Up the Interface to Work with Audio
- “e Audio Workspace
- Master Track Output
- Monitoring Audio Levels with the Audio Mixer
- Adjusting Audio Levels on a Sequence
- Showing Audio Waveforms
- Adjusting Overall Clip Levels
- Keyframing Volume Changes
- Smoothing Volume Between Keyframes
- Track vs. Clip Keyframes
- Using the Audio Mixer
- Overview of the Audio Mixer
- Understanding Automation Modes
- Submixes and Bussing
- Using Audio Effects
- Two Ways of Adding Audio Effects
- Clip-based effects
- Track-based effects
- Using Audio Effects to Repair Audio
- Using Audio Effects to Adjust Dynamics and Equalization
- Sending Audio from Adobe Premiere Pro to Audition
- Noise Reduction
- Amplitude Reduction
- Ge!ing Audio Back to Adobe Premiere Pro
Color Correction
- Using Video Scopes
- Accessing Scopes and the Color Correction Workspace
- Scope Essentials
- YC Waveform
- Vectorscope
- More About the Reference Monitor
- Ge!ing to Know Adobe Premiere Pro’s Color and Exposure Effects
- Primary Color Corrections
- Exposure Problems
- Fixing underexposed footage
- Fixing overexposed footage
- Fixing Color Casts
- Before $xing a color cast
- Fixing contrast $rst
- Tackling color
- Secondary Color Corrections
- Using A#er Effects and Photoshop to Correct
Essential Effects
- Role of Effects
- Effects in Adobe Premiere Pro
- Fixed Effects
- Effects browser
- Using effects presets
- Saving effect presets
- Removing effects
- Applying Effects in A#er Effects
- Dynamic Link revisited
- Browsing A#er Effects animation presets
- Applying effects and animation presets
- Saving A#er Effects presets
- Removing effects
- Understanding Keyframes
- Adding Keyframes
- Keyframe Interpolation
- Selected Effects
- Image Stabilization & Rolling Shu!er Reduction
- Timecode Burn-in
- Vector Keying in Adobe Premiere Pro
- Enhanced Depth of Field (with the Roto Brush)
Creating Titles
- Video Typography Essentials
- Benefits of reading include be$er understanding of best use of tools and options
- Using Adobe Premiere Pro’s Titler
- Creating and Editing Titles
- Entering Text
- Forma!ing Text
- Stylizing a Title
- Creating a Template
- Advanced Titling with Photoshop
- Creating a Photoshop Document
- Photoshop Text Essentials
- Creating an Alpha Channel
- Layer Styles
- Animated Titles with Adobe A#er Effects
- Seting Text
- Browsing Presets
- Retiming Animations
Acquiring & Managing Media
- Importing Files into Adobe Premiere Pro
- Standard Importing
- Using the Media Browser
- Adobe Bridge
- Adding metadata with Adobe Bridge (p.61)
- Rating clips in Adobe Bridge
- Viewing metadata from Adobe Bridge
- Tape-based Work&ows
- Capturing from Tape
- Tapeless Work&ows
- Mounting the Card
- Creating a Clone and a Copy
- Spanned Clips
- Supported File Types
- Footage Files
- Graphics Files
- Audio Files
- Modifying Clips
- Adjusting Audio Channels
- Interpreting Footage
- Assigning a frame rate
- Interpreting pixel aspect ratio
- Field order
- Alpha channels
- Modifying Timecode
- An Introduction to Dynamic Link
- Linking to and from Adobe A#er Effects
- Linking to and from Adobe Encore
- Linking to and from Adobe Audition
- Adobe Media Encoder
- Creating Special Clips (synthetics)
- Bars & Tone
- Black Video
- Color Ma!e
- Transparent Video
- Practical Media Management
- Removing Unused Media
- Using the Project Manager
- Creating a trimmed project
- Collecting a project
Publishing Your Video
- Customize Topics To Class Needs
- Exporting a Master Copy
- Matching Sequence Se!ings
- Choosing Another Codec
- Outpu!ing to Tape
- Preparing a Project for Tape Output
- Preparing a Tape
- Exporting to Tape
- Meet Adobe Media Encoder
- Accessing Adobe Media Encoder from Adobe Premiere Pro
- Overview of the Export Se!ings Dialog
- Source and Output panels
- Export Se!ings
- Filters export se!ings
- Multiplexer export se!ings
- Video export se!ings
- Audio export se!ings
- FTP setings
- Additional Options
- More About Metadata
- Exporting Files
- Creating Flash Content
- Choosing Between FLV and F4V
- Using FLV and F4V Presets
- Creating H.264 Content for Devices and Web Delivery
- Using H.264 Presets for Devices
- Using H.264 Presets for General Web Delivery
- Publishing to DVD and Blu-ray
- Using MPEG-2 Presets for DVD
- Choosing Between MPEG-2 and H.264 for Blu-ray
- Using an H.264 Preset for Blu-ray
Close Out
- How to take an Adobe Certi$cation Exam
- ACA Exam
- ACE Exam
So you wish to know more? Simply enter your details - and we'll contact you back.
Adobe Production Creative License
- OVERVIEW
- DESCRIPTION
- OUTLINE
- WHAT YOU GET
- ENQUIRE
- 0800 043 8889
Master the Adobe Production Creative License with Academy Class!
This class is a combination of;
- After Effects 101: Rookie
- After Effects 201: Advanced
- Premiere Pro 101: Rookie
- Premiere Pro 101: Advanced
- Level: Fast track to Advanced 3
- Time: 10 AM - 5 PM
- Duration: 10 Days
- Cost: £1497 ex VAT
-
Private Training
We can organise training for you. We can do it for only one person or a group. Give us a call an we can make arrangements for your course.
Call: 0800 043 8889 -
Live Online Training
With our online toolbox let your global team learn together. Give us a call and we can make arrangements for your course.
Call: 0800 043 8889 -
Academy in a Case
If you can't come to us we can come to you. Give us a call and we can make arrangements for your course.
Call: 0800 043 8889
- Learn Adobe’s production tools from beginner to advanced. The Adobe Production Creative License package includes a curriculum for total immersion into Adobe Production tools. The Adobe Production Creative License package is a training program that features a combination of 4 Adobe courses at a discounted price. The package does not have a schedule of its own. Each class is scheduled separately.
The classes included are:
- After Effects 101: Rookie
- After Effects 201: Advanced
- Premiere Pro 101: Rookie
- Premiere Pro 101: Advanced
A person who wishes to work in the video field or who currently works in the field, or an Adobe application user looking to expand their skills- looking to add effects to video projects. Some students may be mainly interested in creating video primarily for the Web, and others for film, but the majority are preparing more for work in broadcast video. This course is for people new to After Effects, Premiere and Flash but who want to know more than just the basics.
Before taking this course, you should have a basic understanding of your computer’s operating system.
Please check the relevant course pages to find out more about what will be covered on the separate classes.
Please check the relevant course pages to find out more about what will be covered on the separate classes:
- After Effects 101: Rookie
- After Effects 201: Advanced
- Premiere Pro 101: Rookie
- Premiere Pro 101: Advanced
So you wish to know more? Simply enter your details - and we'll contact you back.
Creative Suite for Production
- OVERVIEW
- DESCRIPTION
- OUTLINE
- WHAT YOU GET
- ENQUIRE
- 0800 043 8889
After Effects User Interface and Animation
Basic Animation
Intermediate Animation
Layer Control
Transparency
Type and Titles
Nesting
Render Order
Exporting Files
The Workspace in Premiere Pro
Sequencing and Basic Real-Time Editing
Transitions
Fundamentals of Multipoint Editing
Integrating Adobe After Effects
Titles and Credits
Audio
This class is taken in 2 parts: After Effects 101: Rookie and also the Premiere Pro 101: Rookie. Please check those classes for dates or contact us for more info.
- Level: Fast Track - Introduction 1
- Time: 10 AM - 5 PM
- Duration: 5 Days
- Cost: £997 ex VAT
Choose the date you would like to book:
If no dates appear then please call 0800 043 8889 for more date information
Maximise your productivity with Adobe Creative Suite Production Premium software, the total post-production solution available for both Mac and Windows. Tighter-than-ever integration between Adobe’s all-new video, audio and design tools.
Learn the basics and much more of After Effects and Premiere Pro all just 5 days.
Anyone who wishes to work in the video field or who currently works in the field. Or an Adobe application user looking to expand their skills, looking to add effects to video projects. Some students may be mainly interested in creating video primarily for the Web, and others for film, but the majority are preparing more for work in broadcast video.
Before taking this course, you should have a basic understanding of your computers operating you should know how to launch an application, create and save files, and copy files. Experience in the following areas would be beneficial. Experience working with Flash and/or other video software.
You’ll will be able to use After Effects and Premiere Pro, get familiar with the After Effects interface, create animations, work with layers, apply effects, work with masks and mattes, use colour effectively, export files, comfortably navigate the user interface of Premiere, do rough cuts, trims and 3-point editing, add transitions, create titles and credits, add/edit and sweeten audio, export video for a multiple of output demands.
After Effects User Interface and Animation
- What is a project file and what is in it?
- Tools and Panels how to around in the application
- Workspaces selecting/saving/setting
Basic Animation
- Transform properties of layers
- Keyframing: making element move
- Importing Photoshop and Illustrator files
Intermediate Animation
- In depth keyframe manipulation and interpolation
- Graph Editor
- Motion Sketch/Smoother
- Auto-Orient/Motion Blur
- Roving Keyframes
- Anchor Point/Pan Behind Tool
- Panning a large graphic: technique
- Hold Keyframes
Layer Control
- Trim-move-stack-split (keyboard shortcuts)
- Quality
- Slip Tool
- Sequence Layers
- Solo Switches
- Looping Footage
- Image Sequences
- Frame Rate vs. Time Stretch
- Blending Modes
- Effects and Solids with Blending Modes
- Effects and Presets Panel: animation presets
- Adjustment layers
Transparency
- Masks
- Shape
- feather
- expansion
- Masking with the Pen Tool: Bezier curves
- Mask Shape Interpolation
- Mask modes
- Mattes and Stencils
- Mask shapes
Type and Titles
- Simple Rules of Titling
- Basic Text
- Text Animators/Range Selectors
- Randomizing
- Applying and Saving Text Animation presets
- Per character animators in
Nesting
- Precomps
- Editing precomps
- Locking panels
Render Order
- How After Effects put it all together
Exporting Files
- Render Queue
- Export As
- Same Frame As
- Pre-render
The Workspace in Premiere Pro
- Workspaces
- Working with the Project window
- Importing clips and image files
- Working with the Monitor window
- Working with the Timeline window
- Navigating to a specific frame in the Timeline and Program View
- Using labels
- Using palettes
Sequencing and Basic Real-Time Editing
- The Real-Time editing experience
- Adding clips to the Timeline
- Developing a sequence and using Automate to Sequence
- Using the Automate to Sequence command
- Multiple sequencing
- Viewing the rough cut
- Refining the rough cut
- Pre-trimming clips using the Source view
- Fine-tuning in the Timeline
- Exporting the Timeline as a movie
Transitions
- About transitions
- The Effects palette
- Inserting a transition
- Previewing the transition
- Pre-trimming a clip and adding a transition
- Adding a transition using the Effects palette
- Changing the attributes of transitions
- Adding multiple transitions at one time
- Transitions used as special effects
Fundamentals of Multipoint Editing
- Understanding three-point and four-point editing
- Making a three-point edit
- Linking and unlinking clips
- Handling unsynchronized linked clips
- Closing a gap with the Ripple Delete command
Integrating Adobe After Effects
- Photoshop and Illustrator with Premiere Pro
- Using effects from other Adobe programs
- After Effects and Photoshop ‘inside’ Premiere Pro
Titles and Credits
- Creating a simple title
- Using the ellipse tool
- Mapping a textured fill
- Rolling titles and crawling titles
- Using titles in a Premiere Pro project
- Adding titles to the Timeline
- Using other programs to create titles
Audio
- Getting to know the Audio workspace
- Automating the mixing process
- Creating and adjusting audio effects
- Using markers to synchronise clips
- Finishing the movie with audio effects and music
- Multiple audio effects in a clip
- Working with 5.1 audio files
- Exporting the movie as a 5.1 audio file
So you wish to know more? Simply enter your details - and we'll contact you back.
The academy class guarantee
Did you know that Academy Class is also 100% committed to ensuring you understand the concepts we teach in all our classroom-based courses and that you have met the course objectives?
We understand that you rely on us to get a good grasp the key concepts taught in our training. We also realise that if you don’t fully understand the content when you leave, the money and time you’d spend repeating the same course is a cost your business could do without.
We believe that our high-quality training courses will meet and exceed your expectations and enable you learn the concepts you need to know, first time. And we want you to be confident that we’ll support you through your learning experience by proving our commitment to delivering a high-quality & easily-understood course.
That’s why we’ve introduced the Academy Class Guarantee.
Here’s how it works
We make an upfront commitment to you that you’ll be comfortable with what you learn in our classes.
If you don’t feel that you’ve grasped the concepts and can put the training into practice, we invite you to repeat the same course within a six-month period absolutely free of charge*.
Academy Class’s Guarantee, means you can rest assured that if you’re still uncertain about what you’ve learned, you can come back free of charge* and sit the class again. It’s that simple.
*Academy Class Guarantee Terms and Conditions
Guarantee offer is only made to the original person attending a Academy Class classroom training course and is not transferable.
Attendees returning for a repeat sitting of a course must bring their original manual and materials for use on the day.
Bookings for a repeat sitting of a classroom course must be made via the Academy Class Hotline 0800 043 8889 and are subject to availability.
Guarantee offer is valid for 6 months from the date of the original classroom course, after which date it becomes null and void.
Offer is only applicable for one repeat sitting of the same course originally attended.
Cancellation of Course - Academy Class reserves the right to cancel at its sole discretion any particular course. In the event that a specific course is cancelled then participants
enrolled in that course will be transferred to the next available course and notified by Academy Class of the change.
Students should be aware that there is always a chance that they will be “bumped” into the next class if it were to fill up with paying students. Even if you are bumped, we do guarantee that you will be afforded 1 refresher of your training class.
Discounts
At Academy Class, we strive to provide you with high quality training at “value for money” prices. Academy Class has launched some very special and unique training savings plans for its customers. The savings make Academy Class’s training courses for creative’s and developers more affordable and flexible for a wider range of organisations and individuals.
Early Bird
Book in Advance and Get an Early Bird Discount with 30% Off Standard Price*
We’ve looked at the airlines and this seems to work for them so why not training? Book any Academy Class course 3 months in advance and we’ll give you this for 30% less than the standard price.
*(15% off Jumpstart courses. Cannot be used on top of any other discount / offer or with ANY Creative License Package or Off Peak classes)
Group Bookings
Discounts apply to bookings of two or more people from one organisation:
10% off for two people, 15% for three etc.
Training Vouchers
Academy Class vouchers are an effective way to save on your training costs, ensuring the maximum benefit from all training investment. Designed to suit an organisation’s long-term training needs, Vouchers are an excellent opportunity.
Education, Charity & Freelance Discounts
If you work for a charity, educational establishment or work freelance or an independent basis, and are funding your training yourself, you can claim a 15%* discount on any of our open courses.
*(cannot be used on top of any other discount or offer or with any Jumpstart Class, Creative License Package or Off-Peak classes which are already heavily discounted classes)
- 3ds Max Training Courses
- After Effects Training Courses
- AutoCAD Training Courses
- Cinema 4d Training Courses
- Dreamweaver Training Courses
- Final Cut Pro Training Courses
- Flash Training Courses
- Flex Training Courses
- Illustrator Training Courses
- InDesign Training Courses
- Maya Training Courses
- Photoshop Training Courses
